Out of a timeless world   Shadows fall upon Time
From a beauty older than Earth   A ladder the soul may climb
I climb by the phantom stair   To a whiteness older than Time...

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Ilsaluntë Valion was established in 2007 by those who know that J.R.R Tolkien's Legendarium embodies Truth, not “fiction”.  Our work utilizes a combination of logical analysis and trancework to bring forth this hidden knowledge to the modern day.  For more information and membership requirements, click here.

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 1 
 on: August 31, 2010, 01:00:21 PM 
Started by Lúthien - Last post by Eruannlass
These are all very beautiful, Luthien.  Regarding your perception about the spontaneous happenings of song and dance that one Elda would begin and the rest would just 'flow' into, I have seen several instances in my own journeys where the Eldar use gesture as a nonverbal means of communication.  These range from being as subtle as a slight raising of a finger or tilt of the head to being somewhat ritualized in form, and deliberate. 

I am theorizing that this 'sub~communication' exists as a means of conveying information in situations where quiet is called for ~ such as hunting, or when it's too loud to be heard, as it may be while sailing in high winds.  I have now begun to see that most of the gestures Rowan makes as he talks are not just idle hand movement.  Pertaining to the Eldar as a whole, it's my guess that this gesture language integrated into their verbal speech at some point.  How far into Middle~earth it may have reached, or if it survived past the First Age, I don't know. 

You have used another means of non verbal communication ~ art ~ to communicate, and the results are profound.  As I told you in an email, I feel inspired to produce my own images after looking at these.  We are clearly seeing into a world where simple beauty and profuse symbolism has been considered and expressed in every structure, every 'thing' that is present in these homes.  It's no surprise that spontaneous harmony exists within.

                                                               Eruannlass

 2 
 on: August 30, 2010, 11:03:17 AM 
Started by Ellenar - Last post by Ellenar
The heart chakra is the psychic nerve center which becomes most active, whenever I commune with the energies of Yavanna.  There is a definite connection there.

 3 
 on: August 28, 2010, 02:05:19 PM 
Started by Ellenar - Last post by Niennildi Oarnen
It's interesting that you should mention compassion along with the golden-yellow-green color. It's the color I associate with the heart chakra. The chakra strongly associated with compassion and wisdom; I also consider it a healing color. To me it is the color of a peridot gem, which happens to be the August birthstone.

 4 
 on: August 28, 2010, 01:38:49 PM 
Started by Lúthien - Last post by Lúthien
I'h happy that it has this effect .. what more could I wish for?

 5 
 on: August 28, 2010, 01:17:34 PM 
Started by Ellenar - Last post by Ellenar
Concerning the Elessar, I think I remember reading something about the Elfstone being connected to Yavanna.  It was in The Book Of Unfinished Tales, and I believe it was one of the versions of the tales concerning the history of Celeborn and Galadriel.  If I remember correctly, during a conversation between Galadriel and Gandalf, it was revealed that the Elfstone which was passed to Aragorn, was given from the hands of Yavanna Herself.

Also, I agree with your sentiments Meneldur.  I too am continually marveled at how often the mythlogy is reflected within the natural world, and within my life.


 6 
 on: August 28, 2010, 12:54:32 PM 
Started by Lúthien - Last post by Ellenar
To me, this image encapsulates the grace and beauty of the Eldar.  I feel as if I want to weep; from joy, not sorrow.  Lu'thien, you are truly blessed.  Once again I thank you for sharing this with us.

 7 
 on: August 28, 2010, 12:49:42 PM 
Started by Ellenar - Last post by Ellenar
I am unsure what it is. But my own feeling is that the fact that we *can* enter there, and are welcome even, is not because of a loophole but because of some specific ability or doom that is laid upon us. In this case, it could be that it is indeed unusual; for reasons known only to the Valar, some exceptions are made.

This is a most excellent point!  I believe that you have the right of it, Lu'thien.

Maybe this is related to how (I perceive) that time flows over there.
In Valinor, I do not only experience time as quite slow; but everything has a mellow, soothing, unchanging quality to it.   

In my case, I experience an intensity in perception.  Every thing is much sharper, more vibrant, and more substantial, than it appears during the usual modes of conscious perception.  The energies of the Blessed Realm also produce a dissolutionment of my identity.  I become something Other than the Self which I am most familiar with.

 8 
 on: August 28, 2010, 07:11:04 AM 
Started by Ellenar - Last post by Lúthien
When you speak of the period of elapsed time, are you speaking about the time-frame in which the actual interaction with the Blessed Realm occurs; which would exclude the time-frame in which techniques are employed in order to reach the state where interaction occurs?

Yes, the "induction phase" (don't know if that is the proper word btw) only lasts about 5 to 10 minutes.

It is my belief that certain conditions (seems more appropriate than limitations) are placed upon us, when we journey to the Blessed Realm.  The manner in which the journey is accomplished is of no consequence.  However, as you have observed that your time-perception differs greatly from my own, these conditions must also vary with the individual.  The single control factor being that we cannot physically abide within the Blessed Realm.

Yes, I understand your point about that it is forbidden to go there physically. A certain Númenorian king and his followers experienced that very clearly :) - but as far as I remember, before the actual acting up on this trespass by the Valar and Ilúvatar, they were camping quite merrily on the shores, albeit only for a short while.

I was wondering whether it is allowed to mortal feär to dwell in the blessed realm - it is all over the lore that they can not dwell there after death. Is it disallowed in general, but with (as you say) some sort of loophole for the case of "spirit travelling"?

I am unsure what it is. But my own feeling is that the fact that we *can* enter there, and are welcome even, is not because of a loophole but because of some specific ability or doom that is laid upon us. In this case, it could be that it is indeed unusual; for reasons known only to the Valar, some exceptions are made. In the lore, this is seen with Tuor and Eärendil.
And here I have to be a little careful: I am not suggesting that this lends any specific status or reason for pride. For that would immediately neutralize it. In other words: I feel that it is an assignment. A task.
It is, to me, like this: "If you can do this, good! It means that you have the make-up or talent that makes you suited for this job. Like everything, it is a gift from the One. Use it, and use well. For a good purpose".
If someone would not use it well, I think they would quickly use their ability to travel there.

In "The Book Of Lost Tales 1", The Cottage Of Lost Play, it is said that the children of the Fathers of Men came to Valinor, by way of the Olore Malle.  That some became enamoured of the beauty the resides there, and did not return to the lands of Men.  Also, it is said in the earlier myths concerning the death of Men (which can be found in BoLT 1) that some Men were granted the grace of abiding within Valinor.

Yes, I know. This is one of the things that Tolkien seemed to shift his opinion in over time. So I have no idea what truth is in this case ..
   
From what I recall from my study of "Morgoth's Ring", the biggest difference between Elves and Men (when speaking of Fear and Hroar) is the connection between the two.  Elvish Fear are of a greater degree than the Fear of Men.  The connection between their bodies and spirits is, for the most part, more intimate and harmonious.  The Fear of a Faded Elda, can create a new form in which to clothe itself, from the memories stored within that particular Fea.
...

Yes, indeed. The elvish feä is more intense, and has a stronger grip on their hroa.

Oh yes, something else that came to mind when thinking about the passage of time over there ... all reports speak of this "terrible intensity" of the undying light in Aman.
Maybe this is somehow related to the rather mysterious fact that one single blossom of Laurelin can be as bright as the Sun - so imagine what Laurelin itself must have been like!

I have experienced that, when approaching the Moon-flower, it's intensity actually seems to dwindle as soon as you approach it. It is obviously bright enough to light the whole Moon, but as I approach it, it is just a shiny, lovely flower drifting in a chalice. It is radiant, but nothing like something that can power the whole Moon.
Similarly, when I am at the mound of the Trees, I see Laurelin as very bright. Almost unapproachably bright even - but by far not as bright as a thousand Suns would be.
It is as if there is some sort of inverse relationship with some aspects of the blessed realm. Things seem more intense from afar than they are from up close. In our everyday experience, light, heat, sound, gravity: they all lessen as the distance grows.
In Valinor, it is as if there is no such weakening over distance. Or much less. The light of the Trees does indeed diminish when travelling far away from them; but it does not diminish as steeply as if they were ordinary lights.
The only factual analogy that I know of is in particle physics (quantum chromodynamics), where there is something called "Color force" (physicists have this way of being poetic :) ). This force binds quarks together, and it grows exponentially stronger when the particles are further apart. Thus it binds quarks very, very well together. So well, that they cannot be separated into single quarks.


Maybe this is related to how (I perceive) that time flows over there.
In Valinor, I do not only experience time as quite slow; but everything has a mellow, soothing, unchanging quality to it. The air feels only slightly warm, in a pleasant way. The light of the Trees is comfortable: Telperion's light is even liquid (I never approached Laurelin that close yet) like silvery dew or rain. It feels cool to the touch; I can hold droplets of it in my hands. 

 9 
 on: August 28, 2010, 05:25:44 AM 
Started by Ellenar - Last post by Meneldur Olvarion
This is a very interesting turn in the conversation, as it falls into another one of my primary interests: the study of perceptual phenomena, and of perception itself.

My experiences don't last very long at all as measured by external clock time, but by the details of memory and length of the recitation of the trance experience later, you can clearly see that many hours have gone by, which then have to be 'unspooled' before being written down. For me, the ratio of trance-time to clock-time varies from about 7 to 1 to over 10 to 1 (i.e., for every 7 to 10 seconds of any awareness of time passing in your trance, only one is likely to have passed in the world of the external observer).  And yet, you don't feel that you are "rushing headlong" or anything like that, because your time-sense is now attached to the Visionary realm rather than the physical one wherein your body lies dreaming.

Or to use a more poetic, and yet not totally inaccurate, expression for those who have experienced trance with the assistance of oneirogenic entheogens; one could in some sense truly be said to lie "dead but dreaming."  Although I'm not a big fan of the Cthulhu Mythos, there you are.

I will try to post more about this topic tomorrow.

///Dave

 10 
 on: August 28, 2010, 04:50:57 AM 
Started by Lúthien - Last post by Lúthien
Thank you! :)

here's an image not of Valinor but of Gondolin, during the Nost-na-Lothian festival:



I have twice been to Gondolin, both times at the Nost-na-Lothian. This image is mostly derived from my 2009 experience ... the one this year wasn't very visual. 
I did not know what the large building with the dome on it in the background was, but when I showed this image to Dave he said that he thought it might be dedicated to Vána.
The arched structure behind the fountain might or might not be attached to that building. but I think it was standing a little before it, and belongs more to the fountain. The bas relief depicts the two Trees in a stylized form.

In the square at the foot of the stairs in the foreground there is some sort of a figure dance taking place. All who participate were dressed in hues of light green, white and yellow.

A very peculiar thing that I noticed on both occasions that it was not "organized" like anything I have seen here and now. Things seemed to happen very spontaneously - as if everyone knew what they wanted, and as soon as someone took the initiative, others joined in without any discussion.
This went for both dances and song: as for the songs, someone would just start singing and others would join, not necessarily the ones close by. I heard several voices from lower "terraces" harmonizing with someone close by.

The girl sitting on the fence is not Meríthiel, but some inhabitant of Gondilin. It is possible that I had Meríthiel in mind when drawing the image, though, so it is possible that she looks a bit like her.

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