Replying in this topic rather than the original, because it's not the music itself that I am replying on:
I know this is an old thread but I was inspired by a song I was listening to this morning to add something to it. The song is "Rediscovery Part II" by "Symphony X" from "V The New Mythology Suite". This album is based off myths of Atlantis and Egypt and channelings from Edgar Cayce. Even though it doesn't specifically refer to the Legendarium, I find it evokes the same feelings and themes, and speaks to the plight of the Edain in this age of faded glory. Of course there is the Atlantis/Numenor parallel as well, anyway here are the lyrics:
I'm not certain what to think. While there are indeed some fragments in the lyrics that feel like it could touch on the Legendarium -
"Children of the Sun", "Seek the hidden rhyme", "Seek the hidden words" and "look to the Sea, under Skies of Hope" - it is also rather vague and even as you describe
"based off myths of Atlantis and Egypt and channelings from Edgar Cayce "It also speaks of
"Goddess of Truth speaks eternally" <- there is no such thing in the Legendarium. The Valar do not know the complete Truth, either. And other phrases like
"Feel the mystery" and
"Fools who looks for answers in a rhyme", "Five beyond the skies align" - etcetera .. they have no connection to it at all IMO.
It contains elements that you find in almost any (spiritual) tradition: anxiety for the future, fear that
"mankind has wasted its chance", a coming
"clash of Titans".
Other than that, words like
"Atlantis", "channeling" and
"new world order", and also any attempt to suggest absolute knowledge, plus dwelling on fire and brimstone in whatever form automatically raise a red flag with me.
Why? Because I think it's too darn easy: throw in some assorted unexplained mystery (from the Reader's Digest series) and jazz it up with some Dark Tinsel .. dunno, it tastes too much like "wanting to create an effect" rather than imaginal truth.
If I compare those lyrics with this (Dagor Dagorath):
"There the forces of the Valar shall fight against Melkor, who will have resurrected many of his old followers, including Sauron. Tulkas will wrestle with him, but it will be by the hand of Túrin that finally death and destruction will be dealt to Melkor. Túrin will run his black sword Gurthang (Iron of Death) through Melkor's heart, thus avenging the Children of Húrin (Sindarin: Chîn Húrin) and all Men. Then the Pelóri Mountains will be levelled, the three Silmarils will be recovered from the Earth, sea, and sky, and Fëanor's spirit shall be released from the halls of Mandos to give them to Yavanna, who will break them and rekindle the light of the Two Trees. The battle will end and renew Ardás existence: all the Elves shall awake and the Powers will be young again. Also, according to Dwarven legends, they will help their maker Aulë recreate Arda in all its glory again. It is also thought that at that time, the substance that was used to create the Silmarils will be revealed."
I really need to think how to voice that properly - but it is not only a difference in contents. It is also style: even though the events described here are rather large - there is no added drama. No
fire and brimstone in sight. It just
is what it is.
Therefore, to me, it rings true: it feels like a real vision, and its impact is shattering.
This line reminds me of Sauron's corruption of the Numenoreans:
He's taken form in human - likeness
and manifests himself in all our darkest dreams
Preying upon centuries of weakness
Feasting on despair and our own selfish greed
There is indeed a likeness. But you could also liken it to many other "devils" or "antichrists".
This line particularly struck a chord with a section of Lost Tales I that I also read today:
Lost evermore the essence of truth, although
she tried in vain to bring us peace, it will
ever rest in our hands
We've cried a thousand tears for all we had,
and all the things we could have been,
we must find our way again
Indeed - but again, it is a rather universal theme: paradise lost, and the longing back for it.
Our fate will ever rest in our hands, though we be born of Arda marred, Illuvatar's mysterious gift holds the key to Arda healed. Not the Vala, nor the Eldar (not even Melko) ever had such a power of freedom, for their fate is bound to Ardás. This gift suggests to me the power of transformation, just as death is a transformation, so too do we Edain have the power to transform ourselves and the world around us. While the Vala and Eldar seem to me to be about preservation of past glory in the undying lands, the great lands are left to the Edain to work our will upon. I feel the role of the Secondborn is to transform the themes of Melko woven into Arda since the beginning, so that the duality and discord between dark and light, past and future, preservation and destruction, might be brought into unity.
That element of freedom given to humans is indeed an essential thing, and an essential difference between the Quendi and humans.
But I don't agree that the role of the Valar and the Eldar is limited to "preservation of past glory in the undying lands". Though the Valar are largely unvisible and most folk are unaware of them, they are not museum conservators. Manwë is "the Elder King" - for now and for all. That he has no control over humanity (because of that given freedom) - and does not desire to (because he must have at least some inkling of the intentions of Iluvatar), though it is said that humankind's deeds are often a grief to him - does not diminish that fact.
The Eldar are also more than museum pieces - I am very certain of that. But you are right that this day and age is basically humanity's time, and I can only hope that they will accomplish what you describe above.